Where Can I Buy the Sigma Art 35mm Canon
Summary
The Sigma 14-24mm f2.8 DG DN Art is an ultra-wide-angle lens designed for full-frame mirrorless cameras and available in the Sony East and Leica L mounts. Information technology demonstrates the virtues of optical designs which are optimized for the shorter flange distances of mirrorless cameras: it is optically better in almost every aspect than its DSLR sibling and loses more than 300g in weight. Its optical performance is virtually flawless with a slight loss of contrast at 24mm, f2.8 in the center from haloing/blooming. But that doesn't prevent the lens coming Highly Recommended! Let'southward hope that Sigma soon is able to offer their new lens with Nikon Z-mount and Canon RF-mountain too.
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Cheque prices on the Sigma 14-24mm f2.eight DG DN Art at Amazon, B&H, Adorama, Wex, or Calumet.de. Alternatively get yourself a re-create of my In Camera book or care for me to a coffee! Thanks!
Sigma fourteen-24mm f2.8 DG DN Art review -
- Written past
Intro
The Sigma xiv-24mm f2.8 DG DN Art is an ultra-wide angle zoom lens designed for total-frame mirrorless cameras and available in the Sony E and Leica 50 mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. Like other 14-24mm lenses, it delivers wide to ultra-wide coverage that's ideal for dramatic urban and natural landscapes, while maintaining a bright and constant f2.viii focal ratio beyond the range.
The Sigma fourteen-24mm f2.viii DG DN Art was announced in July 2019 and is currently listed at 1450 EUR / 1399 USD / 1299 GBP. PS – if you're interested in the other Sigma DG DN Art lenses check out our in-depth reviews: Sigma 35mm f1.ii DG DN Art review, Sigma 24-70mm f2.8 DG DN Art review, Sigma 85mm f1.4 DG DN Art review, Sigma 105mm f2.viii DG DN Macro Art review.
Facts from the catalog
Let'south compare the Sigma xiv-24mm f2.8 DG DN Art ("Sigma DN" for curt) to the Sony FE 12-24mm f4.0 K ("Sony f4.0 M"), Sony FE 12-24mm f2.eight GM ("Sony f2.eight GM"), and Sigma xiv-24mm f2.eight DG HSM Art ("Sigma HSM") which was designed for DSLRs simply withal can be used via Sigma'southward MC-11 mount-converter on a Sony mirrorless camera. As usual I've rated the features with a [+] (or [++]), when it's amend than average or even state of the art, a [0] if it'southward standard or only average, and [-] if there's a disadvantage.
Size (diameter x length): All iv lenses have a built-in lens hood and don't alter their length when zooming. At 86 ten 132mm (3.4 10 5.2in.) the Sigma DN is longer than the Sony f4.0 1000 at 87 x 117mm. But both the Sony f2.eight GM at 97 ten 137mm and the Sigma HSM at 96 x 132mm are bigger lenses, the mount-converter adding some other 26mm to the length of the Sigma HSM. [0]
Weight: At 797g (28 oz.) the Sigma DN is 234g heavier than the Sony f4.0 G at 563g but still a bit lighter than the Sony f2.8 GM at 847g. The Sigma HSM is much heavier at 1122g plus an estimated 100g for the mount-converter. [0]
Optics: The Sigma 14-24mm f2.viii DG DN Art has xviii elements in 13 groups including vi special dispersion elements and 3 aspherical elements. This is like to the other lenses in this comparing. To reduce reflections causing flare, glare and ghosting the Sigma DN employs Nano-coating. It also has fluorine-coating on the forepart chemical element to repel water, dust, and dirt and brand cleaning easier. [+]
Closest focus altitude is 0.23m (0.91ft.) at 24mm focal length with a magnification of 1:5.1 which is like to the Sigma HSM. This results in a working distance of only 8cm. The Sonys achieve well-nigh 1:vii at 28cm focus distance. A magnification of 1:10 is accomplished at around 0.35m focus distance with all four lenses. [+]
Filter-thread: None of the four lenses in this comparison offer filter-thread – their bulbous front elements prevent that. So you lot need to become some non-standard mounting system and a new set of filters. Or utilize gel filters in a rear filter holder on the Sigma DN (see paradigm beneath) and the Sony f2.eight GM. Go along in listen though that gels cannot be rotated which precludes the use of polarizers. Sigma supplies a template with the lens to cut out the gels. Only you can also buy set-made rear lens filters. [0]
Above: rear filter holder of Sigma fourteen-24mm f2.8 DG DN Art
Image stabilization: All four lenses in this comparing have no optical prototype stabilization. Just the Sony A7 or Panasonic DC-S1 camera bodies provide born sensor-shift stabilization. [0]
Motorcar focus: Yep with built-in AF drive. Manual-focus override is by but turning the dedicated focus band at the front of the lens. It has a variable gearing (like many lenses designed for mirrorless cameras) which allows for very precise transmission focus when turned slowly simply cannot be switched to linear gearing. Which makes smooth focus pulling for videographers pretty hard. Same with the Sonys. The three lenses designed for mirrorless cameras also have an extra push which can be assigned many dissimilar functions e.g. AF-lock. The Sigma HSM has the usual straight linear coupling that is typical for lenses designed for DSLRs – and shows the focus distance in a small window. [+]
Lens profile: The lens comes with a lens contour for vignette-, CA- and baloney-compensation which can be controlled from the camera. That's the same as with the Sonys. With the Sigma HSM you have to rely on the profiles supplied e.g. in Adobe'south software. [+]
Covers total frame/FF or smaller. Same with the other three lenses. [+]
Cost: 1450 EUR (incl. 16% VAT) / 1399 USD / 1299 GBP. The Sony f4.0 G currently goes for 1550 EUR / 1670 USD / 1400 GBP, the Sony f2.8 GM is at 3300 EUR / 3000 USD / 2900 GBP and the Sigma HSM at 1280 EUR / 1199 USD / 1129 GBP. [0]
Aperture ring: None of the 4 lenses in this comparing has an discontinuity band. [0]
The lens comes with a padded pouch but no straps. [+]
Sigma's service tin alter the mountain of the lens betwixt Sony's E-mount and L-mount (at a toll). This is a unique characteristic that no other manufacturer offers. [++]
Sealing: yes, a rubber grommet at the lens-mount plus further special weather-sealing throughout the construction, just like the other three lenses. [+]
The score in the "features-department" is 0[-]/vi[0]/9[+] The Sigma 14-24mm f2.8 DG DN Fine art offers a dainty characteristic ready and the unique option to get the lens-mountain swapped. The biggest complaint compared to some of the rivals here is that information technology doesn't zoom wider than 14mm, but while 12mm will capture a wider field, 14mm withal delivers enormous coverage. Another event, mutual to almost ultra-broad zooms, is needing some non-standard mounting system if you're going to use front filters.
Iii ultra-wide zoom lenses
In a higher place from left to right: Sony Atomic number 26 12-24mm f4.0 G, Sigma 14-24mm f2.viii DG DN Art, Nikon Z 14-24mm f2.8 S
Alternatives
If you want to comprehend the range of focal lengths from 14mm to 24mm there are really only 2 alternatives to the Sigma 14-24mm f2.8 DG DN Art for E-mount and none for L-mount:
- Sony has the Fe 12-24mm f4.0 G from 2017 and the FE 12-24mm f2.8 GM. Both lenses offset at 12mm focal length giving an viii degrees wider view on the brusque end than zoom lenses starting at 14mm. The Sony f4.0 K is simply slightly more expensive than the Sigma DN but its focal ratio is one stop slower. And the Sony f2.eight GM has the same bright f2.8 focal ratio just is more twice the price of the Sigma DN.
Other alternatives cover different focal lengths like the Panasonic Lumix S PRO 16-35mm f4.0 or the very expensive Leica Super-Vario-Elmar-SL sixteen-35mm f3.5-4.5 ASPH (both for 50-mountain). Or the manual focus Laowa ten-18mm f4.v-5.6 which is available for E- and L-mount and is currently the only full frame zoom lens starting at 10mm focal length with a recti-linear projection. Or you use older DLSR designs via mountain adapter.
Here is the bending of view that the Sigma 14-24mm f2.viii DG DN Art covers with its 1.7x zoom compared to the 2x coverage of the Sony FE 12-24mm f4.0 K:
To a higher place: Sigma 14-24mm f2.8 DG DN Art coverage on Sony A7R II (FF) torso at 14mm (left) and 24mm (correct)
Higher up: Sony 12-24mm f4.0 Chiliad coverage on Sony A7R II (FF) body at 12mm (left) and 24mm (correct)
Focus and zoom
Focus accurateness and repeatability is critical to consistently produce sharp shots. Repeatability (the accuracy of focus on the aforementioned subject field after repeated focus-conquering) of the Sigma at 24mm focal length is skilful (measured 98.2% in Reikan FoCal) with no outliers over a series of 40 shots. At that place is a bit of focus variation whether the lens focuses from a closer distance or from infinity and I had some cases of hunting. At 24mm focal length the lens focuses in around 0.7 sec from infinity to 0.35m (ane:x magnification), which is OK but slower than the Sony FE 12-24mm f4.0 G which took only 0.five sec.
The zoom ring turns through seventy degrees the other mode around than Sony users are used to and has a 14mm wide rubber surface with a practiced grip. It can hardly be operated with i finger every bit it needs more force than the Sony Atomic number 26 12-24mm f4.0 1000. The focus ring at the forepart is 20mm broad and moves smoothly.
AF-performance of the Sigma is inaudible from the outside or if you record video with the built-in microphone. Same with the Sony FE 12-24mm f4.0 G.
Equally you pull focus, you lot'll inappreciably notice any focus breathing: When I adjusted the focus from infinity to 0.35m on the Sigma I measured a i% subtract in magnification at 24mm and 14mm focal length. This is similar to the Sony Fe 12-24mm f4.0 Grand.
The Sigma zoom lens is parfocal: When I focused the lens at 24mm and zoomed back to 14mm focus stays on the same spot. Same with the Sony Atomic number 26 12-24mm f4.0 1000.
Side by side check out my quality results!
Check prices on the Sigma 14-24mm f2.8 DG DN Art at Amazon, B&H, Adorama, Wex, or Calumet.de. Alternatively go yourself a re-create of my In Camera book or treat me to a coffee! Thanks!
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Source: https://www.cameralabs.com/sigma-14-24mm-f2-8-dg-dn-art-review/
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